March 2005
This month: the Accidental Tourist runs out of gas ...
- seeking direction in Truth, Goodness and Beauty
This month: the Accidental Tourist runs out of gas ...
No more entries for a while.
After posting fairly faithfully for over a year - the need to focus on other projects has caused me to take a break from work on my blog.
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"Whether in the pastoral joys of country life or in the labyrinthine city, we Americans are always seeking. We wander, question. But the answer waits in each separate heart - - the answer of our own identity and the way by which we can master loneliness and feel that at last we belong."
From Carson McCullers - author of The heart is a lonely hunter.
( 1917-1967 )
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A Few of Life's Rules To Live By
Don't be irreplaceable. If you can't be replaced, you can't be promoted.
Always remember you're unique. Just like everyone else.
If you think nobody cares whether you're alive or dead, try missing a couple of mortgage payments.
If you lend someone $20 and never see that person again, it was probably worth it.
The quickest way to double your money is to fold it in half and put it back in your pocket.
Experience is something you don't get until just after you need it.
source: unknown
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A Sci-Fi Classic
"Seeing the movie again, even in this revised version, I still felt the human story did not measure up to the special effects. Ford is always good when surrounded by amazing visuals, perhaps because he keeps cool and does not seem to notice them. Sean Young and, more briefly, Rutger Hauer, are effective as replicants who want only to live the lives they seem to have been given. . . .
And yet the world of "Blade Runner" has undeniably become one of the visual touchstones of modern movies. The movie's Los Angeles, with its permanent dark cloud of smog, its billboards hundreds of feet high, its street poverty living side by side with incredible wealth, may or may not come true -- but there aren't many 10-year-old movies that look more prophetic now than they did at the time."
- Roger Ebert - http://rogerebert.suntimes.com
"Director Ridley Scott's 1982 film "Blade Runner" is arguably the most famous and influential science fiction film ever made. It has exerted a pervasive influence over all subsequent science fiction cinema, and indeed our cultural perceptions of the future.
The film is a combination of 1940s film noir and futuristic detective thriller. . . . "
- Nick Cramp - www.bbc.co.uk
"The film is great on every level: the poignant screenplay about man's futile quest for immortality; Scott's tremendous direction; the incredible, futuristic sets designed by Lawrence G. Paull, Syd Mead and others; the phenomenal special effects; and the touching performances, especially from Hauer, a replicant fighting against the ebbing of his life. His swan song is one of the most touching in modern movie history.
I've seen things, he says, recalling the cosmic wonders he has witnessed in his lifetime. Then, clutching a dove in his hand, he remarks wistfully, All those moments will be lost in time, like tears in rain."
- Desson Howe - www.washingtonpost.com
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"About a guy I met in the nuthouse,
... /...'Oh, you're right. Yes, you are: I am a loner, a born one. And someday I will make it - that shack, I mean. Yes. I will, you'll see. But not like last time. Not to hide. No. Next time I try it it will be first because I choose to, then because it is where I am most comfortable.
.../... A man has to know he had a choice before he can enjoy what he chose. I know now. That a human has to make it with other humans . . . .../...
..After you get so you can make it with other people, and make it with yourself, there's still work to be done; you still have the main party to deal with . . .'...".
"About a guy I met in the nuthouse, a Mr.Siggs, a nervous, quick-featured, self-schooled hick who had spent all his fifty or so years except for Service time in the eastern Oregon town of his birth. A reader of encyclopedias, a memorizer of Milton, a writer of a column called "Words to Adjust By" in the Patients' Paper . . . a completely capable and sufficient person, yet this intense little self-styled scholar was perhaps the most uncomfortable man on the ward. Siggs was terribly paranoid in crowds, equally hung up in one-to-one situations, and seemed to enjoy no ease at all except by himself inside a book. And no one could have been more shocked than myself when he volunteered for the job as Ward Public Relations Director. "Masochism?" I asked him when I heard of his new position, "What do you mean?" He fidgeted, hedging away from my eyes, but I went on. "I mean this Public Relations job . . . why are you taking on this business of dealing with big groups of people when you're apparently so much more at ease alone?"
At this Mr. Siggs stopped fidgeting and looked at me; he had large, heavy-lidded eyes that could burn with sudden unblinking intensity. "Just before I came in here . . . I took a job, stock outrider, in a shack hid away outside Baker. A place a hundred miles from noplace. Nobody, nothing, far as I could see. Sweet, high country; beautiful . . . Not even a cedar tree. Took along complete set of Great Books. All the classics, ten dollars a month, book salesman took it out of my wages in Baker. Beautiful country. See a thousand miles any direction, like it was all mine. A million stars, a million sage blossoms-all mine. Yes, beautiful . . . Couldn't make it, though. Committed myself after a month and a half." His face softened and his blue stare dimmed again beneath his half-closed lids; he grinned at me; I could see him forcing himself to try to relax. "Oh, you're right. Yes, you are: I am a loner, a born one. And someday I will make it - that shack, I mean. Yes. I will, you'll see. But not like last time. Not to hide. No. Next time I try it it will be first because I choose to, then because it is where I am most comfortable. Only sensible plan: sure of it. But . . . a fellow has to get so he can deal with these Public Relations, before he can truly make it. Make it like that . . . alone . . . in some shack. A man has to know he had a choice before he can enjoy what he chose. I know now. That a human has to make it with other humans . . . before he can make it with himself."
I had a therapeutic addition to this: "And vice versa, Mr. Siggs: he has to make it with himself before branching out."
He agreed, reluctantly, but he still agreed. Because at that time we both considered this addition pretty psychologically profound and - in spite of its chicken-or-egg overtones - the very last word in "Words to Adjust By" at that time.
Recently, however, I found that there were even further additions. A few months ago I was sage-hen hunting in the Ochoco Mountains - high, spare lonely plains country and certainly as far from noplace as any place I know - and I ran into Mr. Siggs again, a healthier, younger-looking Mr. Siggs, tanned, bearded, and calm as a lizard on a sunny stone. After overcoming our mutual surprize, we recalled our conversation after his acceptance of the Public Relations job, and I asked how his plans worked out. Perfectly - after some successful therapy he'd been discharged with honors over a year ago, had his outriding job, his Great Books, his shack . . . loved it. But didn't he still occasionally wonder if he were really choosing his shack or still just hiding in it? Nope. Wasn't he lonely? Nope. Well, wasn't he bored, then with all this sunshine and adjustment? He shook his head. "After you get so you can make it with other people, and make it with yourself, there's still work to be done; you still have the main party to deal with . . ."
"The 'main party'?" I asked, right then starting to suspect that statement about his being discharged "with honors." "What do you mean, Mr. Siggs? The 'main party'? You mean deal with Nature? God?
"Yes, it could be," he remarked, rolling on his rock to warm his other side and closing his eyes against the sun. "Nature or God. Or it could be Time. Or Death. Or just the stars and the sage blossoms. Don't know yet . . . ." He yawned, then raised his little head and fixed me once more with that same intense look, a demented bright-blue look galvanized by some drive beneath his leathery face that sunshine - or therapy - could never adjust . . . "I am fifty-three," he said sharply. "Took fifty years, half a century, just to get to where I could deal with something my own size. Don't expect me to work this other thing out overnight. So long."
The eyes closed and he seemed to sleep; a skinny back-country Buddha, on a hot rock miles from noplace. I walked on, back toward camp, trying to decide if he was saner or crazier than when I last saw him."
Sometimes A Great Notion
Ken Kesey
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Beachcomber s1-11
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There was a boy A very strange enchanted boy They say he wandered very far, very far Over land and sea A little shy and sad of eye But very wise was he And then one day A magic day he passed my way And while we spoke of many things Fools and kings This he said to me "The greatest thing you'll ever learn Is just to love and be loved in return" "The greatest thing you'll ever learn Is just to love and be loved in return"
Theme song from the 1948 anti-war movie "The Boy with Green Hair"
War - as perceived from a child's wisdom. This film was simply done and "preachy", but left a lasting impression on me - viewing it - as a child - of the fifties.
http://us.imdb.com/title/tt0040185/
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